Meshes of the Afternoon (1943)

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

Maya Deren’s shortest, two-minute A Study in Choreography for Camera seems like an exercise piece to capture a dancer’s movement on celluloid, which later on developed into her masterpieces such as Ritual in Transfigured Time and Meditation on Violence.

The story of a tiny Egg-girl who is forced to serve the evil Boar-like witch Baba Yaga. But after a blob of Dough comes to life, she befriends him and both escape from the witch's home at a Water mill on a cliff and set off to see the world. The soundtrack is Joe Hisaishi's arrangement of Vivaldi's La Folia

This documentary follows two Mohawk girls on their journey to become Mohawk women. Friends since childhood, Kaienkwinehtha and Kasennakohe are members of the traditional community of Akwesasne on the U.S./Canada border. Together, they undertake a four-year rite of passage for adolescents, called Oheró:kon, or "under the husk." The ceremony had been nearly extinct, a casualty of colonialism and intergenerational trauma; revived in the past decade by two traditional leaders, it has since flourished. Filmmaker Katsitsionni Fox has served as a mentor, or "auntie," to many youth going through the passage rites.

When three women with no previous acquaintance kill a male shopkeeper in the middle of the day, the female psychiatrist assigned to the case sets out to understand why.

Annabelle (Whitford) Moore performs one of her popular dances. For this performance, her costume has a pair of wings attached to her back, to suggest a butterfly. As she dances, she uses her long, flowing skirts to create visual patterns.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Documentary about the life of avant-garde filmmaker Maya Deren, who led the independent film movement of the 1940s.

A jeremiad against intemperance, jazz music, and abortion, set on a train filled with unrepentant sinners hurtling toward damnation.

Parvaneh is a young Afghan immigrant who recently arrived at a transit centre for asylum seekers in the Swiss Alps. The only things she has got to know yet are the rural area surrounding the centre and the centre itself.