Mediterraneo (1991)

Jimi, a computer game designer, finds that his latest product has been infected by a virus which has given consciousness to the main character of the game, Solo. Tormented by the memory of his fled girlfriend Lisa and begged by Solo to end its useless "life", Jimi begins a search for people who can help him both to discover what happened to Lisa and to delete his game before it is released.

Two stage actors leave on a tournée, but there's a matter to be settled: one has become the lover of the other's girlfriend and since they are very good friends, cannot bring himself to tell him.

Diego Abatantuono in the shoes of three huge fans: the Juventus truck driver Tirzan, the head of the ultra Milanese Donato and the Franco inter.

The film follows Nello, the recently hired director of a newly developed work cooperative of former mental patients. After the closure of state psychiatric hospitals and asylums in Italy under the Basaglia Law many former patients were left with few resources and little hope of reintegrating into society. With the intention of actually improving the lives of his pupils, rather than just sedating them, Nello encourages them to expand their individual abilities and explore the wider world around them although, regardless of intention, there is sometimes a price to pushing boundaries too quickly.

The story of a gang of children growing up in a community of banished criminals, in a forgotten corner of the former Soviet Union. This community rejects the world outside. The only law it obeys… is its own. Against this backdrop two best friends, Kolyma and Gagarin, gradually become fierce enemies as they find themselves on opposite sides of the strict code of honour of the ‘honest criminal’ brotherhood.

In a tiny community enclosed by wheat fields, the adults shelter indoors, while six children venture out on their bikes across the scorched, deserted countryside. Exploring a dilapidated and uninhabited farmhouse, nine-year-old Michele discovers a secret so momentous, so terrible, that he dares not tell anyone about it …

A blocked screenwriter, Ezio, is trying to finish a story about two off-kilter families thrown together when their teenage children announce they’re getting married. So Ezio writes himself into the story with a romantic part—a development his characters welcome, as they’ve got some ideas of their own for bigger and better roles.

In a small mountain village lives a man with a challenging name, Giuseppe Garibaldi (one of Italy's "fathers of the fatherland"), but everybody call him with the nickname Peppino. Love fishing, the company of friends, the library where he works as a precarious employee. He is an optimistic person even if his child accuse him of being a wannabe. One day, due to a mess of politicians, an amazing thing happens: Peppino is mistakenly elected President of the Italian Republic. Pulled out from his quiet life, is to play a role for which he knows he is obviously inappropriate, but his common sense and his instinctive gestures are incredibly effective, except for the etiquette, for which he is in trouble. The inflexible and fascinating Deputy Secretary General of the Presidency of the Republic, Janis Clementi, is anxious to no avail in an attempt to regulate the unpredictable actions of the President...

Richard Pryor delivers monologues on race, sex, family and his favorite target—himself, live at the Terrace Theatre in Long Beach, California.

Beniamino and his family have lived inside a school since the end of the war. After five years they have to move, but in Rome it's not easy to find an apartment.