Me traes de un ala (1953)

Valentina's seemingly idyllic life in the US is interrupted when planning a wedding means introducing her fiancé to her scandalous family in Mexico.

Brayan Rodriguez is an innocent heir to a criminal Sinaloa family sent to Mexico City to expand the business, and where he meets Claudia, and their worlds collide. Love and fun are everywhere.

Louie Kritski is a heartless landlord who has been so negligent in keeping up his ghetto apartment that he is threatened with jail time. The judge gives him another option -- he must live in his rat-infested hell hole until he brings it up to liveable standards.

Fioravante decides to become a professional Don Juan as a way of making money to help his cash-strapped friend, Murray. With Murray acting as his "manager", the duo quickly finds themselves caught up in the crosscurrents of love and money.

A filmmaker facing an existential crisis goes on a vacation to a Mexican gay nudist beach, where he meets a social media celebrity who convinces him to collaborate with him on his new TV show. But one disappears and another embarks on a wild journey through Mexico City to find him.

While doing the inventory for a lingerie outlet in a high rise office building, five attractive women are terrorized by a series of bizarre killings. They suspect that the strange janitor, who witnessed another series of killings years back, is at the bottom of the whole thing. Little do they know the real horror that they face in the end.

Maria Laura "Mala" is an actress with little luck, but she is successful working for other women, seducing their boyfriends to know if they are faithful or not. But everything changes when her dream to perform in her acting career depends on a job to be performed with Santiago who breaks the pattern and shakes her professional convictions.

Ricky Gervais tackles life, death and the state of the world in a brutally honest special that spares no topic, even his own mortality.

Almería, Tabernas desert, Spain, 2002. Texas Hollywood is a dilapidated and dusty town where Western movies have not been shot for decades. Julián Torralba and his partners, veteran film stuntmen, survive there, recreating pathetic action scenes for the pleasure of the few foreign tourists who visit the isolated region.

A series of loosely connected skits that spoof news programs, commercials, porno films, kung-fu films, disaster films, blaxploitation films, spy films, mafia films, and the fear that somebody is watching you on the other side of the TV.