User Score
6 votes
Maria Papoila, a shepherdess from Beira working in Lisbon, one day meets a rich young man, Eduardo, whom she assumes to be of her own social standing due to his uniform as a private soldier. Some time later, arrested as a suspect in a major robbery, Eduardo is abandoned by his selfish fiancée, Margarida, and it is the "soup girl" who, although despised in her dream and sacrificing her honor, appears in court as Eduardo's lover, and he is acquitted. Without asking for anything in return, Maria Papoila returns to her village.
Director
Writer
Status
Released
Original Language
PT
The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they're one in the same, and the vast amount of territory he's covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early '90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don't Blink is Israel's like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
pai de Eduardo
The magic island of Fogo, seen from the eyes of the kids and the reason why its inhabitants will never leave it.
