Maria Marusjka (1973)

The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

What do you do when you love music, and music doesn't love you back? It's a question that haunts Walt (Jim Tavaré), the owner of Essential Music, an indie record store in the heart of Silver Lake. Walt's all too aware of how his punk-rock glory days are fast fading in the rear-view - even as he can't help recounting war stories to his much younger employees: Lysette (Kate Dalton), who has to contend with a parade of customers convinced she's the Record Store Girl of their dreams; Chris (Derek James Elstro), the lead singer of Troubled Meats, a band poised for takeoff, and maybe not just in Chris' mind; and well-meaning music nut Duane (Adam Weber), who's a little too fluent in Rock Critic for his own good. With a love of all types of music evident in every shot, WARMED-OVER KRAUTROCK is a comedy for anyone who's ever spent too much time obsessing over playlists - and for anyone who's ever been driven crazy by that type of person, too.

After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.

Joseph Kuo's final film.

Adam is a broken man in the emotional transition as his family crumbles. Through the heartbreak and pain a chance meeting gives hope once more.

This videotape was edited together by Richard Linklater in 1991 from film countdowns and tail leaders from films submitted to the Austin Film Society in Austin, Texas from 1987 to 1990. It is Linklater's tribute to the film countdown, used by many projectionists over the years to cue one reel of film after another when switching to another reel on another projector during projection. Includes reel excerpts from films by Chantal Ackerman, Ingmar Bergman, Rainer Werner Fassbinder, Cuban filmmaker Humberto Solas, Nagisa Ōshima, Monte Hellman, and Jean-Luc Godard, among many others.

A VH1 television special wherein the cast discuss the making of the films and what made the franchise a phenomenon.

Philippa Talbot is a talented London businesswoman who has decided to give up her position and power to become a nun. The man who loves her is in shock over her departure from his life. When Philippa arrives at Brede, a cloistered Benedictine monastery, the abbess who was responsible for convincing her to enter this vocation suddenly dies. Her successor is Catherine, a sensitive leader who's the first to tell the newcomer to the community that all nuns are to love without a preference for one over another. This becomes very difficult when Joanna, a young nun, singles Sister Philippa out and grows very attached to her.

Call-center workers receive a phone call from God.