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A woman with an oddly hairy belly gives birth to a pair of hands in Marie Losier’s giddily inventive "portrait" of filmmaker Guy Maddin, done as a collaboration between the two iconoclasts. A longtime fan of Maddin, Losier (best known for other inventive portraits of underground film icons like Tony Conrad and George Kuchar) hoped to document him as well; "I hate my voice and face," Maddin replied, and sent her Super-8 footage of his hands instead. Losier interwove the footage into her own distinct tale, shot like a surrealist 1920s silent film. A must for fans of Losier, Maddin and ingenious cinema in general, MANUELLE LABOR was completed for the Berlin Film Festival (where Maddin was the guest of honor). - Jason Sanders A collaboration film by Marie Losier and Guy Maddin. Two sisters, five brothers, a doctor and two nurses and the miraculous birth of a pair of hands, but whose hands?
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Original Language
EN

In London, barrister Anthony Keane takes the case of Maddalena Paradine, a beautiful woman accused of poisoning her blind husband. Though happily married, Keane becomes infatuated with his enigmatic client and convinced of her innocence. His obsession clouds his judgment as he builds a defense implicating her servant, André Latour—an act that leads to devastating consequences both in court and at home.

Heiress Joanna Stayton hires carpenter Dean Proffitt to build a closet on her yacht—and refuses to pay him for the project when it's done. But after Joanna accidentally falls overboard and loses her memory, Dean sees an opportunity to get even.