Mambo Queens (2023)

During the summer of 1968, Leon, a 10-year-old boy, navigates the hardships of young love, his lunatic mother's whims, and his urges to vandalize the house of his neighbors.

At 19, passionate about street art, Naëlle (Najaa Bensaid) is forced to follow a reintegration project with other young people, her last chance to avoid being separated from her loved ones. Touched by the young girl, Hélène (Agnès Jaoui), the site manager and her instructor, introduces her one day to the Maison des Compagnons de Nantes, a world of traditions that promotes craftsmanship excellence and transmission between generations. Alongside Paul (Pio Marmai), a companion stained glass artist who agrees to take her for training in his studio, Naëlle discovers a universe with codes very different from hers that could give new meaning despite her difficulties in life. Naëlle will carve a place for herself in the fascinating world of stained glass and will realize that the Companions' values are not just empty words.

Twenty-three years old Romain would like to be a writer, but, for the moment, he's night watchman in a hotel. His sixty-two years old father is retired and seems to not give a damn about anything. He shares an apartment with a twenty-four-year-old guy whose sole purpose in life is to seduce a woman, no matter who, and no matter the cost. His eighty-five years old grandmother is living in an old people's home, and she wonders what on earth she is doing with stuck with all these old people. One day, Romain's father turns up in a fluster. His grandmother has disappeared. In fact, she kind of escaped. Romain sets out to find her, somewhere in his memories.

Wael, a former street child, makes a living from small scams with his adoptive mother and partner-in-crime Monique. When this unconventional duo swindles the wrong guy, Victor, an old acquaintance of Monique now in charge of a support organization for troubled teens, they have no choice but to become his interim secretary and educator in order to redeem themselves.

Two young girls meet, Reinette from the countryside and Mirabelle from Paris, and decide to take a flat together in Paris where they attend University. Four successive stories about their daily lives illustrate the very different views, characters and relation to the world of these two friends.

An unexpected road trip brings a dysfunctional family together for one last journey with their elder, sparking moments of connection, joy, and reconciliation.

Leaping forward twenty years, the trilogy continues with the death of Fanny's husband, Panisse, and the discovery of her secret by her son, Césariot. The young man resolves to track down his biological father, Marius, whose life has been fraught with calamity and poverty.

In this little Provencal village, a new baker, Aimable, settles down. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he can not work anymore. Therefore, the villagers, who initially laughed at his cuckoldry, take the matter very seriously (they want the bread) and organize a plan to find Aurelie and to bring her back to the bakery.

They knew each other long ago: a man and a woman whose dazzling and unexpected romance captured in the now-iconic film revolutionized our understanding of love. Today, the former race car driver seems lost in the pathways of his memory. In order to help him, his son seeks out the woman his father wasn’t able to cherish but whom he constantly revisits in his thoughts and dreams. Anne reunites with Jean-Louis and their story picks up where they left it…

A woman in her thirties gets tired of life in Paris and decides to leave and become a farmer.