

User Score
1 votes
This girl (a frowzy backwoods maiden who pines for the romance of the world), who has never known what it means to have the association of men, has derived all her romantic ideas from one lone novel, read when her father was away. She blossoms into womanhood and the call for companionship becomes insistent. One evening she slips away and travels to a distant ranch, to find employment as a maid-of-all-work, and it is here that she first experiences men. it is not as she thought and hoped it would be. They are rough, brutal and selfish. It is a rude awakening, and when the old lady, her employer, tells her to go back where she came from she accepts her advice, glad to get away from it all and live alone with her father
Director
Writer
Status
Released
Original Language
EN

A cattle-vs.-sheepman feud loses Connie Dickason her fiance, but gains her his ranch, which she determines to run alone in opposition to Frank Ivey, "boss" of the valley, whom her father Ben wanted her to marry. She hires recovering alcoholic Dave Nash as foreman and a crew of Ivey's enemies. Ivey fights back with violence and destruction, but Dave is determined to counter him legally... a feeling not shared by his associates. Connie's boast that, as a woman, she doesn't need guns proves justified, but plenty of gunplay results.

Monte Walsh and Chet Rollins are long-time cowhands, working whatever ranch work comes their way, but "nothing they can't do from a horse." Their lives are divided between months on the range and the occasional trip into town. Monte has a long-term relationship with prostitute Martine Bernard, while Chet has fallen under the spell of the widow who owns the hardware store. Camaraderie and competition with the other cowboys fill their days, until one of the hands, Shorty Austin, loses his job and gets involved in rustling and killing. Then Monte and Chet find that their lives on the range are inexorably redirected.