Mai Ka Mum (2011)

Hazel runs a beauty salon out of her house, but makes extra money by providing ruthless women the oppurtunity to perform hit jobs. L.T. is a parasite, and contacts Hazel looking for work after he runs out of money. She is reluctant to use him for a hit, since she prefers using women, but decides to try him on a trial basis. Meanwhile, the cop she pays off wants an arrest to make it look like he's doing his job, but Hazel doesn't want to sacrifice any of her "associates". The sleazy side of life is explored in this delightfully dark and deadpan film.

While hitchhiking from Sofia to Ruse, Kamen meets Avé, a 17-year-old runaway girl. With each ride they hitch, Avé invents new identities for them, and her compulsive lies get Kamen deeper and deeper into trouble. Reluctantly drawn into this adventure, Kamen begins to fall in love with the fleeting Avé.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Aboard a small escape pod, four survivors try to discover what caused the destruction of their spaceship.

This comedic retrospective mixes archival footage and scripted sketches as it revisits all the dread — and occasional delight — that 2021 had to offer.

Viva Tour is the second live album by Mexican singer Thalía. This album was recorded in Mexico City at the National Auditorium on April 26 and 27, 2013. The news was confirmed by the Sony Music label, as was the release of the single "La Apuesta", a duet with Erik Rubín, on 22 October 2013.

Chisato and Mahiro must pay four years of overdue fees or lose their membership in their assassin guild. They take part-time jobs, but find themselves in the middle of an armed robbery and being hunted by other assassins.

First in first out (FIFO) is a shelving technique used in supermarkets. Stephan must place the freshest products behind the oldest ones. Products nearing their sell-by date must be destroyed. When going to the bins in the basement, Stephan will have to face those who could still benefit from them, but who are excluded by the system. He will also have to confront who he was before getting a job.

A young actress arrives late to a casting, making up a great excuse without knowing a small detail.

Shot in Havana and processed at Phil Hoffman's Film Farm, Marcel Beltrán Fernández's Casa de la noche explores those same histories from the point of view of an insider, as a lived experience that is evocatively mirrored through ripped and torn celluloid.