Lychee Light Club (2012)

Shin has shut his heart ever since his mother died when he was young. His childhood friend Kotori has been looking after him ever since. Now that they are in the third year of high school, and it seems like they can finally move forward, another Shin from another Japan has suddenly appeared in front of them.

A wolf and mountain lion team up when a meteor unleashes a virus turning zoo animals into zombies. They join forces with other survivors to rescue the zoo and stop the deranged mutant leader from spreading the virus.

Nishi is a loser who has a crush on his childhood girlfriend. After an encounter with the Japanese mafia, he journeys to heaven and back, and ends up trapped in an even more unlikely place.

Nobita travels to the future to show his beloved grandma his bride, but adult Nobita has fled his own wedding.

It has been three spring-times since Belldandy came to Earth to grant Keiichi one wish. Things seem to be fine with them while living in the temple with Belldandy's sisters Urd and Skuld, but little do they know that a fallen god from Belldandy's past has escaped from his lunar prison. He has plans for everyone which do not include what the goddess and her human lover wanted for themselves.

When Lupin heads to the kingdom of Zufu to pilfer its treasure, he incurs the wrath of its psychotic ruler General Headhunter, who places a dead-or-alive bounty on his head.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Mayhem reigns supreme in the animated kingdom as whiz kid Jimmy Neutron and Timmy from "The Fairly Oddparents" swap places in each other's worlds.

A sapling Nobita discovers is turned into a plant-boy with help from Doraemon, and becomes Earth's only hope at passing judgment from the dryadic aliens of the Green Planet.

Nobita and Doraemon use time tree Mochi and catch a big bird, which has been extinct for 500 years ago. To protect the animal, Nobita and Doraemon go to Beremon Island, overseen by a golden beetle named Herakles.