Lumière! (2016)

Night in an old mill is dramatically depicted in this Oscar-winning short in which the frightened occupants, including birds, timid mice, owls, and other creatures try to stay safe and dry as a storm approaches. As the thunderstorm worsens, the mill wheel begins to turn and the whole mill threatens to blow apart until at last the storm subsides.

Vincent, still of tender age, has already tattooed most of his body and hoarsened his voice with his post-hardcore band – his way of venting his frustrations and desires. Ever since his mother died, he shares his time between Porte de Clignancourt and Bastille, between a piercer job he is unhappy with and his fishmonger father, Hervé, who is trying to start a new life with a younger woman named Julia. Vincent is initially appalled by the woman, with whom his father has ‘betrayed’ his mother, but the more they get to know each other, the more he becomes intrigued by the beautiful and empathetic woman. Unlike his father, she shows interest in him, even attending one of his gigs. What starts out as a potential way of reconciling with his father soon implodes.

Screenwriter Leo is searching for the wolf in the south of France. During a scouting excursion he is seduced by Marie, a free-spirited and dynamic shepherdess. Nine months later she gives birth to their child. Suffering from post-natal depression and with no faith in Leo, who comes and goes without warning, Marie abandons both of them. Leo finds himself alone, with a baby to care for.

A selection of 114 short films produced by Auguste and Louis Lumière (most were directed by Louis and his team of cinematographers), restored in 4K and assembled in a single montage. Including a lot of unknown rarities (like alternate versions of Employees Leaving the Lumière Factory), this is an astonishing collection from cinema’s most undisputed pioneers.

A skeleton dances joyously, often collapsing into a heap of bones and quickly putting itself back together.

Stephane (Victor Lanoux) is the mayor of a small village. He is also the manager of the tannery which provides the inhabitants with work. In a fit of anger, he kills his wife (Edith Scob). A judge (Jean Carmet) tries to prove his culpability, but it's not an easy task, because there is a political and social pressure.

Robert, a 13-year-old German boy, sets out to try and find his father, who's in Turkmenistan. On his arrival there he meets up with a local boy who agrees to help him, but they are abandoned by their adult guides and must fend for themselves.

A small boat, with three men aboard, is shaken by the backwash.

In 1967, during the making of “La Chinoise,” film director Jean-Luc Godard falls in love with 19-year-old actress Anne Wiazemsky and marries her.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.