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A poetic video essay crafted from the personal home-video archives of artists and lovers Bianca Arnold and Moss Berke. Blending feminist philosophy and cinematic theory, the film challenges the normative gaze by collapsing boundaries between subject and object. Intimate and tactile, the camera becomes an extension of their relationship—capturing moments of love, play, dress-up, and reflection. In the spirit of Barbara Hammer, the film is a queer declaration of love made through sunlight, plastic textures, and whispered voiceovers. As the two film and reflect each other, they create a shared space of transformation, where everyday rituals become sites of spontaneous queer co-becoming.
Status
Released
Original Language
EN

Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.

The second "visual album" (a collection of short films) by Beyoncé, this time around she takes a piercing look at racial issues and feminist concepts through a sexualized, satirical, and solemn tone.