Lucía (1968)

Three friends begin a dangerous three-way relationship that spirals out of control, leading to dire consequences that haunt them ten years later.

Ana and her two best friends, Maria and Paula, navigate life in their oppressive countryside village. Whilst their families struggle in the poppy fields harvesting opium, the girls try to grow alongside the creeping terror of their cartel oppressors.

Lucía and Ofelia, two sisters, finally meet after 7 years of cold relationships upon Lucia 's wedding. But when Juan, Lucia's husband, and Ofelia meet, they feel like a disruptive fantasy have enchanted their minds and bodies...

Recently escaped from reformatory, Reinaldo struggles to get by in the streets of Havana in the late 90s, one of the worst decades for Cuban society. Hopes, disillusionment, rum, good humor and above all hunger, accompany him in his wanderings, until he meets Magda and Yunisleidy, survivors like himself. In one or the other's arms, he will try to escape the material and moral misery surrounding him, living love, passion, tenderness and uninhibited sex to the limit.

Catalina is a young, beautiful girl living in extreme poverty with her brother Bayron and her mother Hilda. She becomes obsessed with getting breast implants to get social status and money. She leaves her boyfriend Albeira and becomes a prostitute for drug dealers. In this way she will enjoy all the luxuries that she lacks. Meanwhile, her ex-boyfriend Albeira and her mother Hilda begin a relationship behind her back.

In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.

Captives of the very relationships that define and sustain them, nine women resiliently meet the travails and disappointments of life.

South America, 1960. A lonely and grumpy Holocaust survivor convinces himself that his new neighbor is none other than Adolf Hitler. Not being taken seriously, he starts an independent investigation to prove his claim, but when the evidence still appears to be inconclusive, Polsky is forced to engage in a relationship with the enemy in order to obtain irrefutable proof.

A troubled young woman becomes obsessed with her mysterious new neighbor, who bears a striking resemblance to the girl's dead mother.

In a remote South American colony in the late 18th century, officer Zama of the Spanish crown waits in vain for a transfer to a more prestigious location. He suffers small humiliations and petty politicking as he increasingly succumbs to lust and paranoia.