Love One Another (1922)

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.

No overview available.

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

The Avataro Sentai Donburies, which first appeared in Avataro Sentai Donbrothers' press conference gets a TTFC special!

Michiko lost her dad in a car accident when she was 10 years old. After the car accident, Michiko has lived with her mother Kyoko. Michiko, now in her 2nd year of high school, gets a cell phone from her mother as a birthday present. Michiko is so excited to have her very first cell phone. Soon afterwards, she is forced into joining social networking site "AvaQ" by classmate, and queen of the classroom, Taeko.

The Donbrothers are offered to appear in a movie based on Haruka's debut manga, which she allegedly plagiarized, First Love Hero by talented producer Reiko Mieda! She can't hide that she is upset about the offer. Will the plagiarism be revealed? That said, shooting for the movie is a mess and the Noto even got parts! What is happening with the movie's shooting?! ​

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.