Little Orphan Annie (1932)

“NARUTO to BORUTO THE LIVE 2019”, a special event for the 20th anniversary of the first publication of “NARUTO” series in Weekly Shonen Jump!! Featuring live performances by artists performing the theme songs of both “NARUTO” and “BORUTO: NARUTO NEXT GENERATIONS”, anime cast members reading original story episodes, and more.

Now settled, Dounia and her grandparents slowly get to know Canada, the new home that welcomed them: its intense seasons, its special foods, its languages (three and counting!). Dounia’s grandparents are sure to keep their Syrian traditions alive at home, while her new friends share traditions of their own, like Rosalie’s French-Canadian lifestyle or Miguizou’s vast indigenous folklore. So while she still misses her dad who stayed back in Aleppo, Dounia now has new ways to keep him with her. It’s when Kukum, Miguizo’s grandmother, teaches Dounia to call her father with all of her heart, that he just might find his way back to her.

A weak before her lady-killer lover, a blond diva breaks up with the arrogant libertine to be with a kind friend. His ego demands appeasement, but the lethal revolver in her hand thirsts for retribution. Who is to blame for her downfall?

Naruto Shippūden Ultimate Ninja Storm Generations OVA Madara vs Hashirama is the tenth Naruto OVA. It is distributed as part of Naruto Shippūden: Ultimate Ninja Storm Generations.

Listen to the trace, over the absent times, from the shore, at the very edge of the page, in the blind corner where the reader is held, give a voice, as one throws a net.

The time has come for Sonic Underground Warriors to take a stand against tyranny. Pick up your sword and choose a side!

The making of Matrix Revolutions, The (2003) is briefly touched on here in this documentary. Interviews with various cast and crew members inform us how they were affected by the deaths of Gloria Foster and Aaliyah, and also delve into the making of the visual effects that takes up a lot of screen time. Written by Rhyl Donnelly

Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.

Presents a young woman's odyssey in self discovery, as she finds herself "among the ladies" in Los Angeles' steamy sexual underbelly

In a small town a wealthy aged male named Dharmesh Saxena, known for his worship of Devi Maa Kaali, and magic, is called "Saamri". Dharmesh knows that his end is near, he summons his lawyer and wills his entire estate to his niece, Anju Trivedi. But when Mama Taklifchand, Dharmesh's step-brother, finds this out, he, together with a gorgeous young woman, Maria, a hotel owner, Khanna, professor Chatterjee, and others, kill Dharmesh, throw his body in the river, and when the body is found, inform the police and the public that Dharmesh killed himself. With the case closed, Taklifchand & the others must find ways and means to kill Anju and keep the wealth and estate for themselves. Before they could carry out their plan - one by one they start dying horrible deaths. Looks like Saamri has arisen from the grave to hunt down his killers, and there is no one who can even dare to even think of stopping him.