Life and Death of Pushkin (1910)

The film spans from Hepburn's early childhood to the 1950s which details her life as a Dutch ballerina, coming to grips with her parents' divorce, and enduring life in the Nazi-occupied Netherlands during World War II. She then settles in the U.S. where she succeeds in making it big as a movie actress, in such movies as Breakfast at Tiffany's.

While investigating the global phenomenon of caste and its dark influence on society, a journalist faces unfathomable personal loss and uncovers the beauty of human resilience.

A Soviet woman is caught between her husband and son, who find themselves on opposing sides of the Russian Revolution.

Electricity titans Thomas Edison and George Westinghouse compete to create a sustainable system and market it to the American people.

1930s Hollywood is reevaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane.

Based on true and tragic events in the life of Vitaly Kaloyev, an architect and family man. In 2002, his wife and children die in a mid-air collision along with 70 other people, mostly children. Vitaly is one of the first people to discover the bodies of his family at the site of the crash. The blame is put on the company responsible for monitoring the air space, as well as the lone air traffic controller on duty at the time. Two years later, after much obstructed efforts to get apologies and answers, Vitaly flies to Switzerland to obtain justice.

Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.

Stephen Glass is a staff writer for the respected current events and policy magazine The New Republic and a freelance feature writer for publications such as Rolling Stone, Harper's and George. By the mid-90s, Glass' articles had turned him into one of the most sought-after young journalists in Washington, but a bizarre chain of events - chronicled in Buzz Bissinger's September 1998 Vanity Fair article - suddenly stopped his career in its tracks.

In 1973, a young gallery assistant goes on a wild adventure behind the scenes as he helps aging genius Salvador Dali prepare for a big show in New York.

Based on true events about the foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State.