Letter of Introduction (1938)

Irene lives in Rome. When her mother ask to, she go back to Rimini, her hometown, to take care of her autistic brother, Omar. She soon discover that Omar knows very well what to expect from the future, but in order to achieve his dreams, he need to be independent, which is why Irene begins a tender crash course to teach him adult life.

The mayor of Lyon, Paul Théraneau, is in a delicate position. After 30 years in politics, he is running out of ideas and is faced with a feeling of existential emptiness. To overcome this, Paul hires a young and brilliant philosopher, Alice Heimann. Then follows a dialogue between two diametrically opposed personalities who will turn their certainties upside down.

Marie-Line is juggling between odd jobs to support her agoraphobic father. Despite the precariousness of their lifestyle, she remains a lively and cheerful young woman. Yet, after a series of unfortunate events, she is fired from her job and sentenced by a judge to a small penalty. A few days later, this very judge will be in a position to help her get back on track – a chance for Marie-Line but also the beginning of an unlikely friendship.

Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.

Pressured from all sides by the figure of her father, Chiara Mastroianni decides to bring him back to life through her own self. She goes by the name of Marcello, dresses like him and asks to now be considered an actor, not an actress. The people around her believe this to be a temporary joke, but Chiara is determined not to give up her new identity…

An aimless young troublemaker, Alessandro, squanders his days gambling and getting into fights, and he often spends his nights in jail. With few prospects, he begrudgingly accepts a job as a companion to Giorgio, an elderly poet suffering from Alzheimer’s. On their daily walks, the two banter and become friends, and Alessandro quickly learns more about this forgotten poet as the old man’s memory drifts. After learning a secret from Giorgio’s past, Alessandro and his friends work to uncover the mystery of this tale, an unexpected history lesson and a touching coming-of-age adventure.

Selma, a psychoanalyst, deals with a cast of colorful new patients after returning home to Tunisia to open a practice.

Se-ha who is physically handicapped and Dong-gu who is mentally handicapped are not their own brothers. But while living 20 years together, the two became indispensable to each other. One day, the mother of Dong-gu suddenly visits him and acts as his guardian.

Étienne is barely twenty when he falls in love with Valérie. They are hardly any more when their daughter Rosa is born. And then, one day, Valérie leaves and never returns. He chooses not to make a drama of it and builds a happy life for him and his child. Sixteen years later, when Rosa is about to lead her own life, Étienne recognizes his wife in a television report. The past brutally resurfaces, and father and daughter are propelled into one last chaotic family journey.

The life of Orlando, a gentle piano tuner, tormented by back pain, changes when he meets Olga, a charming physiotherapist, who diagnoses him with an emotional contracture and asks him to bring her a photo of himself as a young man, so that she can help him resolve his problems. The unusual request will push Orlando to travel and to relive, almost like a spectator, the events of his life that made him the solitary and contracted man he has become.