Le Tour d'Écrou (1974)

It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.

Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.

When the world is gripped by a plague unleashed by the evil lord Chaos, and humans are turned into rabid creatures, mankind can only be saved by three young women, descendants of a Goddess, with the power to stop Chaos' evil.

A Korean riff on The Terminator.

It’s Saturday night in Istanbul and the storm suppresses the sound of music around the city. Özge and Tarık, who have had too much to drink, decide to end the night and jump in a cab. However, the journey back home doesn’t go as they expect.

Jeong-won, who forgot the past and lives a peaceful marriage, receives a phone call from the police one day. The man who sexually assaulted her has been caught and the news shakes up the couple’s life and breaks down their daily lives.

An expert hacker is targeted by a sentient AI after she realizes the threat it poses, and she must try to stay off its radar long enough to stop it.

An experimental film through the eyes of a man

The History of UK Punk 1980-1984. A mix of promo videos and, in many cases, extremely rare live material from the likes of The Exploited, GBH, The Destructors, Peter & The Test Tube Babies, and many others. The DVD documents the raw passion and creativity that fired the UK punk scene during the first half of the 1980s

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.