Le Jeune Homme et la Mort (2005)

A musical adaptation of Victor Hugo's novel "Notre Dame de Paris" which follows the gypsy dancer Esmeralda and the three men who vie for her love: the kind hunchback Quadimodo, the twisted priest Frollo, and the unfaithful soldier Phoebus.

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.

A widowed professor living in Paris develops a special relationship with a younger French woman.

When his husband unexpectedly dies, Marc's world shatters, sending him and his two best friends on a soul-searching trip to Paris that reveals some hard truths they each needed to face.

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

Le capitan is a 1960 French-Italian swashbuckler film directed by André Hunebelle and starring Jean Marais, Bourvil, Elsa Martinelli and Lise Delamare. It is based on a novel by Michel Zévaco.

A fading music hall comedian tries to help a despondent ballet dancer learn to walk and to again feel confident about life.

A quiet and inconspicuous man rents an apartment in Paris where he finds himself drawn into a rabbit hole of dangerous paranoia.

The story of Rudolf Nureyev, whose escape to the West stunned the world at the height of the Cold War. With his magnetic presence, Nureyev emerged as ballet’s most famous star, a wild and beautiful dancer limited by the world of 1950s Leningrad. His flirtation with Western artists and ideas led him into a high-stakes game of cat and mouse with the KGB.