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In March of 2004 a Pennsylvania filmmaker was activated with his National Guard unit and deployed to Iraq. During the next twelve months he would document his unique experiences as he and his platoon were tasked with the politically charged mission of searching for the infamous weapons of mass destruction (WMDs). The search would take them from the heart of Baghdad to rural Iraqi farms. Land Of Confusion offers a never-before seen account of working with the, then secretive, Iraq Survey Group (ISG) as they travel throughout the country searching for evidence that Saddam had the WMDs. The film reveals the extraordinary perspective of soldiers on the ground in Iraq, as recorded by one of their own and goes far beyond what the conventional mainstream media shows audiences about the war in Iraq.
Director
Writer
Status
Released
Original Language
EN
Budget
$15,000
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
In August, 2014, a video of the public execution of American photojournalist James Foley rippled across the globe. Foley wore an orange jumpsuit as he knelt beside an ISIS militant dressed in black. That image challenged the world to deal with a new face of terror. And it tested one American family. Seen through the lens of filmmaker Brian Oakes, Foley’s close childhood friend, Jim takes us from small-town New England to the adrenaline-fueled front lines of Libya and Syria, where Foley pushed the limits of danger to report on the plight of civilians impacted by war.
