Lamb of God (2020)

A young priest, Father Chisholm is sent to China to establish a Catholic parish among the non-Christian Chinese. While his boyhood friend, also a priest, flourishes in his calling as a priest in a more Christian area of the world, Father Chisholm struggles. He encounters hostility, isolation, disease, poverty and a variety of set backs which humble him, but make him more determined than ever to succeed.

Devout but iron-willed Father Flanagan leads a community called Boys Town, a different sort of juvenile detention facility where, instead of being treated as underage criminals, the boys are shepherded into making themselves better people. But hard-nosed petty thief and pool shark Whitey Marsh, the impulsive and violent younger brother of an imprisoned murderer, might be too much for the good father's tough-love system.

Jealousy flares after the headmistress of an elite boarding school for girls becomes obsessed with a new student.

A sensitive young man recalls his time in boarding school when the only person who seemed compassionate towards him was his housemaster's wife.

At an exclusive boys' school, a new gym teacher is drawn into a feud between two older instructors, and he discovers that everything at the school is not quite as staid, tranquil and harmless as it seems.

Ariel is a good-looking farm boy who lives with his father and sister in a rural part of Buenos Aires province. He has become familiar with sex thanks to Omar, a priest with whom he has a secret affair.

In a secluded house in a small seaside town live four unrelated men and the woman who tends to the house and their needs. All former priests, they have been sent to this quiet exile to purge the sins of their pasts, the separation from their communities the worst form of punishment by the Church. They keep to a strict daily schedule devoid of all temptation and spontaneity, each moment a deliberate effort to atone for their wrongdoings.

A Catholic priest in a poor community lives a charitable life in accordance with his religious principles, but others do not return the favor.

A cop clashes with his priest brother while investigating the brutal murder of a young prostitute.

When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.