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The film takes its title from the French term for the analog film technique of shooting by day, with a complex set of lenses and filters, to simulate a deep black-blue night. Though used frequently in early Hollywood films, the deception was often compromised, giving away the trick—the sun creeping into the frame, a reflection that wouldn’t occur in the moon’s soft light. Staff uses the technique, but does nothing to hide that it was filmed during the daytime: people play golf, birds sing, shoppers consume, and families gather under sun umbrellas at the beach.
Director
Status
Released
Original Language
EN

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.