La ley del más rápido (1959)

Investigating judge Iman grapples with paranoia amid political unrest in Tehran. When his gun vanishes, he suspects his wife and daughters, imposing draconian measures that strain family ties as societal rules crumble.

A duo of Edgar Allan Poe adaptations about a greedy wife's attempt to embezzle her dying husband's fortune, and a sleazy reporter's adoption of a strange black cat.

After losing contact with Earth, Astronaut Lee Miller becomes stranded in orbit alone aboard the International Space Station. As time passes and life support systems dwindle, Lee battles to maintain his sanity - and simply stay alive. His world is a claustrophobic and lonely existence, until he makes a strange discovery aboard the ship.

As soon as Muffy St. John and her college friends arrive on her parents' secluded island, someone starts trimming the guest list... one murder at a time.

Tells about Adin with his father and mother who are waiting for the announcement for Adin to go to the next level of education. Although enthusiastic, the worries of Mr and Mrs were mixed with the prayers and hopes that were held for Adin in the future.

R. Neville, a brash young draftsman, is hired to make a dozen landscape illustrations at the estate of Mr Herbert and his wife Virginia. Aside from monetary compensation, the arrangement includes a sexual liaison offered to Neville by Virginia while her estranged husband is away. But when the murdered body of Mr Herbert is discovered at the estate, mysterious clues found in Neville's drawings point to the identity of the killer.

Gertrude Lawrence rises to stage stardom at the cost of happiness.

A playwright encounters a mysterious woman when he takes shelter in a chalet during a violent snowstorm and becomes obsessed with her.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

A detective decides to go undercover and set up a group of robbers, but he may be getting too caught up in the task at hand.