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“Hell is full of musical amateurs.”
Steve Fagin’s La Cura (2024) is comprised of episodes – of tableaux. These jewel-like pieces do not add up to a plot. Even when something recurs – like the studio set that stands in for a nightclub, proudly stripped bare under the final credits – or a performer reappears in a different situation, it is not for the purposes of narrative linkage. The connections between tableaux come about in a different way: through an accumulated interweaving, threaded on music.
Director
Status
Released
Original Language
EN
The adventures of a group of Texas teens on their last day of school in 1976, centering on student Randall Floyd, who moves easily among stoners, jocks and geeks. Floyd is a star athlete, but he also likes smoking weed, which presents a conundrum when his football coach demands he sign a "no drugs" pledge.