Él (1953)

A mid-level manager who develops an aversion to being a good person questions his morality as he faces the challenges of middle age and loses control of his life.

The titular adventurer, after defying his parents to go to sea, survives a shipwreck and becomes a castaway on a deserted island for nearly thirty years, learning to build a new life from scratch, discovering companionship with a native man he names Friday, and eventually returning to civilisation a changed man, finding wealth and new challenges.

A priest investigates paranormal activity at a nuns' convent where a deep, dark secret is about to resurface in the guise of murder! Could the devil be behind this, or is that just what Mother Superior wants everyone to believe?

Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

Life-long business partners Santiago and Eugenio care for each other, and need each other. When Eugenio suddenly vanishes, Santiago and Eugenio’s wife, join forces to look for him. What they discover is not what they set out to find, and their shared journey becomes a surprising and lighthearted meditation on friendship, love, and loyalty.

In early post-war Osaka, three women, war widow Fusako, her sister Natsuko, an expatriate from Korea, and Kumiko, Fusako's sister-in-law, descend into prostitution, all for their individual reasons.

Using morgue photos, newsreel footage, and a recording by Lena Horne, Cuban filmmaker Santiago Alvarez fired off 'Now!', one of the most powerful bursts of propaganda rendered in the 1960s.

In the midst of societal conflict in the futuristic city of Metropolis, Kenichi and his uncle Shunsaku Ban set out to uncover the mystery behind the first human-like robot, Tima.

After a lavish dinner party, the guests find themselves unable to depart... and, over the next few days, all of their elaborate societal pretenses and façades deteriorate as they are reduced to living like animals.

Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.