Kung Tapos Na ang Kailanman (1990)

In a small town a wealthy aged male named Dharmesh Saxena, known for his worship of Devi Maa Kaali, and magic, is called "Saamri". Dharmesh knows that his end is near, he summons his lawyer and wills his entire estate to his niece, Anju Trivedi. But when Mama Taklifchand, Dharmesh's step-brother, finds this out, he, together with a gorgeous young woman, Maria, a hotel owner, Khanna, professor Chatterjee, and others, kill Dharmesh, throw his body in the river, and when the body is found, inform the police and the public that Dharmesh killed himself. With the case closed, Taklifchand & the others must find ways and means to kill Anju and keep the wealth and estate for themselves. Before they could carry out their plan - one by one they start dying horrible deaths. Looks like Saamri has arisen from the grave to hunt down his killers, and there is no one who can even dare to even think of stopping him.

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An experimental short film directed by audiovisual artist, Joshua Bonnetta.

In a remote Kyrgyz village, a mother navigates daily life as her family is drawn into the upheaval of World War II. Left behind to tend the land and hold her household together, she clings to hope amid growing uncertainty. As seasons pass, the quiet weight of absence and memory shapes her world. A deeply personal story of endurance, Mother’s Field captures the emotional cost of war from the perspective of those who wait.

Maggie Cook has spent her teenage life alone in her room, but with the world set to end in 24 hours, her classmate Hazel Norcross finally brings her out of her shell.

The demonic Nicholas Diabolus is put on trial accused of interfering with people's lives.

This is one of the heaviest vids you'll ever see. All kill, no fill. Provost, Romero, Westgate, and a surprise part from new am Jeremy Leabres. Take a deep breath and dive in.

With her the husband and her mother Katya lives in a small provincial town and works at the local factory. The mother suddenly falls ill and decides to transfer her property to her son, Katya’s brother. Katya feels this decision to be unjust, and begins to fight for her inheritance. In pursuit of imaginary material well-being Katya decides on a most desperate act.