Korkusuz Korkak (1979)

Mahsun Supertitiz is an unemployed homeless man who steals cars at night so that he can sleep in a heated place during the winter. Mahsun lives in Rumelihisar, an old section of Istanbul, and makes ends meet by getting the local fishermen to help him. Mahsun loves the cars he robs, cleans and polishes them, and drives them through the streets of Rumelihisar during the daytime.

The comical story of Şaban, who came to Istanbul to earn his dowry and, by chance, became a famous folk singer known as Şaban Ballıses.

Kemal is a young man who does all kinds of work to make ends meet and is passionate about football. The young man who makes his living from the hardest, one day finds a baby abandoned on the side of the road. Kemal, who adopted the orphaned baby, raises and takes care of the girl like the baby's father.

Baran the Bandit, released from prison after serving 35 years, searches for vengeance against his former best friend who betrayed him and stole his lover, teaming up with a young punk with his own demons along the way.

Şakir is instantly infatuated with Sibel in a red dress whom he meets in the parking lot of the advertising agency where he works, and he is desperate to win this fascinating woman. But there is one obstacle; Şakir is married! Despite this, Şakir is determined to pursue Sibel and will try various ways to achieve his goal.

After being humiliated and kicked out from a music hall because they could not pay the bill, six ne'er-do-wells decide to kidnap the star performer Emel Sayın for revenge.

Kerim lives with his family in a rent house for years. One day his landlord tells him to look for another house or raise the rent money.He finds a house by the help of Sühandan whom he works together and in love.

A notorious gangster Vedha surrenders himself to encounter specialist Vikram whom he challenges every step of the way by narrating his life events in the form of riddles that needs to be solved in order to capture him.

This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.

After his family is killed in front of his eyes, a little boy grows up to be the nightmare of Byzantine's Black Knighthood.