Koriolan (1968)

Among the backdrop of 1950s Los Angeles, Johnny, a working-class hoodlum caught up with a ring of car thieves, is floored when he meets Laura, a rich girl riding in a hot set of wheels. But nothing can prepare these teenage lovebirds for the head-on collision of cultures that results from their passion-fueled, high-octane relationship.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

As they grew older, Cristina and Lola were silenced. They obeyed and kept silent for a long time, until today. The protagonists of this docufiction short film raise their voices to bring us closer to the intersex life stories and share our reflections on bodies, identities and desire. A liberating opportunity not only for them, but for everyone.

No overview available.

Joy To The World, A King Is Coming To Town, Jesus Loves Me, O Come, All Ye Faithful, Jesus, What A Wonderful Child!, Deck The Halls/Jingle Bells/Feliz Navidad, Go Tell It On The Mountain, My Heart Would Be Your Bethlehem, Walking In The Light Of God, Born In Bethlehem, Down In Bethlehem, Changed By A Baby Boy, The Greatest Gift Of All, The Savior Of The World Has Come, Glad Tiding, Let There Be Joy, From Heaven’s Point Of View, Away In A Manger, I Saw Him In The Drugstore, Reaching, Silent Night

A man named Jesus takes on the ruling military junta.

Jean Reno discusses his career and his role in the film Léon: The Professional (1994).

Explores Anand Dighe's life, tracing his political journey and capturing the essence of his impactful legacy as a prominent figure.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

No overview available.