User Score
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Koko the clown encounters supernatural beings.
Director
Status
Released
Original Language
EN
The City of Stars is structured as a "coming attractions" promo within the fictional framework of an Eastern editor (vaudeville actor Broderick O'Farrell) arriving in Los Angeles to meet with Universal's advertising manager. The sceneic resources of the studio are showcased throughout, with a "See America First" wagon visible in one scene, and a scattering of panoramic shots of Universal City and the Universal zoo.
Tino is going on his first date with Lola. His friends, doubting his chances, devise a plan to ensure the outing's success.
A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.
Two guys are arguing about the meaning of life and the purpose of humankind's existence. 'Why do we exist and who are we?' - this is the question.
Five single people try to figure out dating in the age of social media, texting, hanging out and hooking up.
In a remote Kyrgyz village, a mother navigates daily life as her family is drawn into the upheaval of World War II. Left behind to tend the land and hold her household together, she clings to hope amid growing uncertainty. As seasons pass, the quiet weight of absence and memory shapes her world. A deeply personal story of endurance, Mother’s Field captures the emotional cost of war from the perspective of those who wait.
No overview available.
From this popular series that counts 37 works, the 6th compilation of episodes carefully selected by the staff.
Todor, a Serbian smuggler in Trieste, Italy, earns his daily bread by smuggling fake brand cigarettes. He sails out in a small boat to collect his freight if there is enough mist to make his illegal mission possible. One day he reluctantly accepts a much larger cargo. In the crate he finds a wounded and drugged woman. Todor decides not to deliver the freight and takes the woman home with him. He takes a chest full of stones to his client and it soon becomes apparent that he has got himself into big trouble with this manoeuvre. Todor takes care of the woman, who slowly but surely overcomes her fear of him. By the time he manages to get her a passport, an unbreakable bond has silently grown between them and he asks her to go away with him. Fate decides otherwise.
The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.
