King David (2021)

The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.

This documentary about the life and work of filmmaker Jean Painlevé was originally presented in eight parts on French television. It was edited to remove duplicated material from its original length of 240 minutes.

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Ghost nation? Violent home? Traumatised country? What does the horror of one of the most famous writers of our time hide? What does his fictional America expose? To what extent does cinema feed itself off his unique vision and expression of fear? In other words: what kind of America is Stephen King telling us about?

A young couple try to fix their marriage troubles with the help of a psychiatrist.

The short film Reyndu aftur (Try Again) follows a young man whose suicide attempt is interrupted by an ex-girlfriend. By mistake, he tells a spontaneous lie that has unpredictable consequences, forcing him to deal with various problems of everyday life and face up to the fact that everybody is burdened with issues of their own. Should he give life a second chance or the just give in to the rope?

The film is about Slim, Slam and Slum from the Danish cartoon series, three young boys at twenty-something who lives in an apartment in Nordvest in Denmark. They are the kind of guys which is using a lot time sitting on the toilet, playing Playstation and smoking pot. But suddenly they all quit their bad salary jobs, and start on fresh with something new. They get a big weird idea on gaining money, power and respect. First of all they start a popular web site that their conman partner Dahlgård which after a little time betrays them and sell the site. Then the three boys start Boomin Crew, a music group of hip hop. They all suddenly get in love with the three honeys, Dit, Dat and Dut, and their new goals are to try snap up with them.

The film revolves around the life of the martyr Mustapha Ben Bouleid (1917-1956), who was a member of the Algerian National Movement, who worked with his comrades to explain the idea of the armed revolution in which he led in Aures region in 1954. The film depicts how Ben Bouleid traveled to a number of Arab countries Disguised to bring arms to Algeria for the revolution and how the French colonial forces arrested him in the Tunisian-Libyan border, and from there to Algeria to be sentenced to death.

On their way up to a mountain cabin, Sarah and Thomas run into a dense mist and seem to go astray in the dangerous altitudes. In search of the cabin they encounter increasingly strange events. Lost in those heights, eventually a life-threatening battle between reality and illusion begins...

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