Kidnapped (2023)

The childhood of the movie director Antoine Lisner, who left Algeria in 1962. In order to present his new movie, he comes back to Algiers with his son.

Afghanistan, 2014. As the withdrawal of troops approaches, Captain Antarès Bonassieu and his squad have been assigned a surveillance mission in a remote valley of Wakhan, on the border of Pakistan. Despite Antarès and his men’s determination, control of the secluded valley will slowly fall out of their hands. One dark night, soldiers begin to mysteriously disappear in the valley.

Belgrade, 1996. During the student demonstrations against the Milosevic regime, 15-year-old Stefan leads his own revolution in the heat of events: accepting the unacceptable, seeing his mother as an accomplice in the crime and finding, despite the love he feels for her, the strength to confront her.

Billionaire activist George Soros is one of the most influential and controversial figures of our time. He is maligned by ideologues on both the left and the right for daring to tackle the world’s problems. With unprecedented access to the man and his inner circle, director Jesse Dylan follows Soros and pulls back the curtain on his personal history, private wealth, and public activism.

Joanna Warczewska, daughter of an eminent writer, is at the peak of her life. Her thriving political career and family happiness are instantly destroyed by a terrorist attack in which her beloved husband is killed. When fate gives her a new chance in life, another blow hits her. Someone sends her photos and documents undermining her family ties and suggesting that her mother has collaborated with the Security Service in the past. Joanna decides to conduct a historical investigation on her own and unravel the mystery that casts a shadow on her family. What she discovers not only makes her look at her mother in a completely different way, but will also make her find her own identity. Joanna will be forced to face the blackmailer herself and make a choice that will change her life forever.

Kuwait’s constitution says that every person has the right to a job, so in some places 20 people are employed for one person’s job. In South Korea, they work so much that a policy has been introduced to turn off computers at the end of the day so that employees can’t work any more. In the US, they give up over 500 million holiday hours each year, while Amazon’s drivers are trying to form a union. Meanwhile, robots are poised to take over most jobs and put the rest of us out of work. Work is so crucial to our identity and what we spend our waking hours on that it is barely noticed anymore. A lot has happened since a group of Puritan priests invented the concept of work ethic in the 1600s, and in the 21st century the very concept of work is in many ways disintegrating. A perfect situation for a filmmaker like Swedish mastermind Erik Gandini, who travels the world to explore what the concept of work means today – if it means anything at all.

Mahdia, Tunisia. Fatma and her daughters, Najeh and Waffeh, work as “machtat”, traditional musicians who play at wedding ceremonies. Their music evokes love and its promises, but the reality is much more complex and painful. Between illusions and disillusionment, Machtat is a powerful and liberating portrait of three women asserting their voices.

Compulsive spenders Albert and Bruno are in debt up to their necks. While seeking help from community workers to get their lives back on track, they run into a group of young green activists. Lured by the free beer and snacks rather than by the ideals of eco-activists, Albert and Bruno find themselves joining the movement without much conviction.

Set during the Nazi occupation of Poland, the story follows Michał, who witnesses the murder of his mother, wife and child and then is hurled into a life that literally is not his own; a surreal world littered with trapdoors, doppelgängers and wormholes.

A sudden tragedy hits a wealthy middle-class family from North-East Italy. Tensions, hidden secrets and small hypocrisies emerge.