Kick the Moon (2001)

Everything changes for Eva when she receives an insurance settlement check accidentally made out for $5,000,000 instead of the expected $50,000. She and her best friend take the money and head out for the adventure of a lifetime.

As their marriage quietly unravels, Alex faces middle age and an impending divorce, seeking new purpose in the New York comedy scene while Tess confronts the sacrifices she made for their family—forcing them to navigate co-parenting, identity, and whether love can take a new form.

After returning to her childhood home, young nun Colleen finds her old room exactly how she left it: painted black and covered in goth and metal posters. Her parents are happy enough to see her, but her brother is living as a recluse in the guesthouse since returning home from the Iraq war.

Tae-sik, a troubled middle aged man and Sang-hwan, a troubled youth will meet in the ring with their respective mission. To change their life.

An improv group deals with several crises, including the loss of their lease and one member hitting the big time.

Jerry, a misfit Mafia henchman, is assigned the low-level job of keeping an eye on Gino, a shoe repairman fingered by the Mob to confess to a murder he didn't commit. But Gino's mistaken for a Mafia boss, and the two are suddenly catapulted to the highest levels of mobster status. Only friendship will see them through this dangerous adventure alive!

Frank Farrelli takes on the job as a middle man in the God-forsaken town of Karmack, USA, a community in a depression so deep that they need a middle man to professionally communicate more of the bad news.

When the denizens of Littlehampton – including conservative Edith – begin receiving letters full of hilarious profanities, rowdy Irish migrant Rose is charged with the crime. Suspecting something amiss, the town's women band together to investigate.

A comic book storekeeper, Dae-man, and the legendary homicide detective, Tae-su, who met on previous case quit their jobs to open a private detective agency.

Jon Katz is close to burnout. He's a writer with writer's block; his wife has left for her sister's because he's emotionally distant; he rarely answers his phone. A kennel sends him a border collie that's undisciplined because of abuse. Despite a series of mishaps, Jon decides to keep trying with the dog, and he rents a dilapidated farm house to give the dog room to run. A local handyman refers Jon to a woman who might be able to help him train the dog. Reluctantly, Jon gives her a try. Is the dog the problem, or the owner?