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Using satire as a method of criticism, the film aims to show the ideological constitution of the television stations. Television programs are examined in terms of their mode of operation: Educational programs, family programs within an advertising framework, news, entertainment shows, political magazines are identified as instruments of domination that direct our awareness of social interests without the public itself having access to express opinions in the medium.
Director
Writer
Status
Released
Original Language
DE
Herbert Stempel's transformation into an unexpected television personality unfolds as he secures victory on the cherished American game show, 'Twenty-One.' However, when the show introduces the highly skilled contestant Charles Van Doren to replace Stempel, it compels Stempel to let out his frustrations and call out the show as rigged. Lawyer Richard Goodwin steps in and attempts to uncover the orchestrated deception behind the scenes.