
User Score
3 votes
Mahmoud spent three years in prison. Now the petty criminal projectionist is finally free again. He would like to become an artist, but he lacks talent. Fortunately, he has his best buddy Hennig, who is there to help him, but doesn't really have a clue. But no matter what Henning does, Mahmoud ruins it again. Together, the buddies throw themselves into life in pursuit of fun and money. With his second "Berlin film", legendary director Klaus Lemke tells an unusual buddy story in his typical style: wild, experimental, restless - with young amateur actors and a lot of improvisation, this is an unvarnished picture of the German capital.
Director
Writer
Status
Released
Original Language
DE

This movie portrays the drug scene in Berlin in the 70s, following tape recordings of Christiane F. 14 years old Christiane lives with her mother and little sister in a typical multi-storey apartment building in Berlin. She's fascinated by the 'Sound', a new disco with most modern equipment. Although she's legally too young, she asks a friend to take her. There she meets Detlef, who's in a clique where everybody's on drugs. Step by step she gets drawn deeper into the scene.

Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?