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The film attempts to negotiate with the duality that is associated with the ceremonial veneration of the Mother Goddess Kali. It ruminates on the nuanced transness that is prevalent, in the ceremonial performance of male devotees cross dressing as Kali. This is interwoven with grotesque elements of a sacrificial ceremony, which forms a vital part of the worship of the Goddess.
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Released
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During World War II in North Africa, a group of British commandos disguised as Italian soldiers must travel behind enemy lines and destroy a vital Nazi oil depot.