Jules and Jim (1962)

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

Pierre Lachenay is a well-known publisher and lecturer, married to Franca and father of Sabine. He starts a love affair with air hostess Nicole, which Pierre is hiding, but he cannot stay away from her.

In the future, the government maintains control of public opinion by outlawing literature and maintaining a group of enforcers, known as “firemen,” to perform the necessary book burnings. Fireman Montag begins to question the morality of his vocation…

After serving together in the French Foreign Legion, a mercenary and a doctor leave the service and go their separate ways. Later, they are reunited and become involved with a caper involving millions in a high-security safe. The two men become locked in during a holiday weekend as they attempt to crack the safe's combination.

After running into something with her car, Vero experiences a particular psychological state. She realizes she might have killed someone.

Young and full of life, Murielle has a promising future ahead of her when she meets and falls head over heels for Mounir. A wedding soon follows, and the happy couple quickly set about preparing to make a family. However, with family come ties, and none come as tight as that between Mounir and his adoptive father. As Murielle continues to bring new life into the family, frictions between Mounir and Doctor Pinget reach boiling point. Helpless to extract her husband and children from the wealthy nest that Doctor Pinget has provided for them, Murielle is drawn into an unhealthy family dynamic. There is only one way out of this nightmare, and for Murielle all sense of reasoning begins to abandon her.

Based on the tragic true story of China's first prima donna of the silver screen, Ruan Lingyu, chronicling her rise to fame as a movie actress in Shanghai during the 1930s.

After separating from the father of her son, a young French woman tries to find lodging and a fresh start in L.A. for herself and her son.

Fan girl finds herself torn between the attraction for her film idol and her best male friend.

Self-doubt, sacrifice and struggle converge into an existential crisis for a devoted classical vocalist as the mastery he strives for remains elusive.