¡Jo, papá! (1975)

Rose and her daughter Sofia travel to the Spanish seaside town of Almería to consult with the shamanic Dr. Gomez, a physician who could possibly hold the cure to Rose’s mystery illness, which has left her bound to a wheelchair. But in the sultry atmosphere of this sun-bleached town Sofia, who has been trapped by her mother’s illness all her life, finally starts to shed her inhibitions, enticed by the persuasive charms of enigmatic traveller Ingrid.

Barcelona, Spain, in the late sixties. Eugenio, a young jeweler who has fallen in love with Conchita, a singer, to the point of learning to play the guitar to accompany her in her performances, will first have to learn to overcome his stage fright.

Malasaña neighborhood, Madrid, Spain, 1976. While political turmoil ravages the streets all over the country, the Olmedo family arrives in the big city and settles into their new apartment. They soon discover that they are not the only ones roaming its corridors.

A day in the life of Azucena, who is running out of time to keep herself and her family from being evicted; Rafael, a lawyer who sets out to reunite a mother with her daughter; and Teodora, a sick old woman who searches for her long-lost son before it is too late.

Seville, Spain. Juan Santos, a convicted petty criminal, gets out of jail for a day to celebrate with Triana, his wife, the first communion of their daughter Estrella.

Two unmarried women who have become pregnant by accident and are about to give birth meet in a hospital room: Janis, in her late-thirties, unrepentant and happy; Ana, a teenager, remorseful and frightened.

After Chilean writer María Carolina Geel murders her lover, the case captivates shy legal secretary Mercedes, sparking a connection between the two women.

Seville, 1977. At a time when homosexuality is a crime, Reme, a traditional mother moved by the love of her son, an adolescent aspiring artist, will become involved in the Andalusian LGBTQ+ movement, paradoxically born in the bosom of the Church.

Naples, early 1980s. The strained marriage between Aldo and Vanda is fractured one evening when Aldo admits, unprompted, his infidelity. Equally hurt and bewildered, Vanda attempts to hide her pain from the couple's two school-age kids, lest they discover that their cramped apartment is not a home of trust and love. 30 years later, Aldo and Vanda are still tied together, but their relationship with each other and their children continues to be defined by what happened all those years ago.

A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.