Jingles the Clown (2009)

The Script of a Film, she is going to be a part of; begins to blur lines between reality and imagination, for an Aspiring Actress, obsessed about Method Acting.

Jessie and her friends go deep underground to find out what happened to her father who claimed a monster lurks in the caves and has killed his friends. Wanting to uncover the truth, they will soon be hunted by a deadly creature from another world.

After Italian capitulation in WW2, German forces are rushing to take control of the Dalmatian coast, forcing thousands of people to take refuge. One partisan boat, filled with refugees, tries to reach a safe area, but because of a storm it must stop near a small island. While the crew tries to repair it, a German gunboat comes from nearby.

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Masha and Valya, vegetarians and abstainers, invite their former friends Natasha and Sergey over. Natasha and Sergey took a mortgage, they are planning a child. Natasha tries to persuade Masha to throw a wedding party, nevertheless she hints at Valya being no good for Masha. Masha in reply tells Natasha that her husband Sergey drinks vodka on the quite. Natasha makes a scene to Sergey. Masha tries to reconcile friends and convince them of their relationship being cracked. The guests are leaving. Valya blames Masha for climbing out of her business. Masha and Valya have a quarrel. Masha remains alone.

Europe and Russia are shocked by the unexpected death of the young Emperor Peter II. He died at the age of 14, leaving behind neither an heir nor a will. Who will get the crown of the Russian Empire? A fierce struggle for power begins. Having chosen Anna Ioannovna, the Privy Council hoped to use her as a puppet and a screen for the implementation of their own selfish plans. But the nobles were mistaken - the people do not like eight tyrants. Let there be a tyrant, but only ONE!

The film follows the daily experiences and dreams of the residents of a specific type of seclusion of freedom in which the convicts assume the maintenance of the space, the control of their own activities and their security. With a multifaceted approach, it proposes a reflection on the creative potential of incarcerated people, the documentary genre itself and its truth.

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No overview available.

Ricardo Villalobos is a major figure on the European electronic music scene. As a recording artist, he's released dozens of singles, seven albums and four mix collections. As a producer, he's remixed tracks for artists such as Beck, Depeche Mode, Plastikman, Senor Coconut and the KLF. And as a DJ, he's manned the decks at some of the world's leading electronic music festivals and is known for his intelligent, broadly eclectic style. Filmmaker Romuald Karmakar, who had directed two feature-length documentaries on the history and culture of electronic music, offers a profile of one of the genre's leading artists with Villalobos. Rather than just creating a biographical sketch or a performance film, Karmakar attempts to give viewers an insight into Villalobos's creative process, his philosophy towards his music and his work, how his background has informed his art, and how his interaction with the audience informs his selections during a DJ set in unexpected ways.