

User Score
3 votes
In Hell, Satan appears to tell us that rhythm is coming to life again, then we're taken to a sound stage where Jimmie Lunceford conducts his dance orchestra. He's in black tie and a tuxedo of white tales and black trousers. He announces that rhythm is our business, and that's the orchestra's first number, with vocal, sax, bass, and trumpet solos. Myra Johnson sings "You Can't Pull the Wool Over My Eyes" in her animated style, the Three Brown Jacks tap dance, and the short closes with two up-tempo numbers with two sax players tap dancing and the horn players taking off their tux coats to start a make-shift percussion section.
Director
Status
Released
Original Language
EN

Amy Pond and Rory Williams are trapped on a crashing space liner, and the only way the Eleventh Doctor can rescue them is to save the soul of a lonely old miser. But is Kazran Sardick, the richest man in Sardicktown, beyond redemption? And what is lurking in the fogs of Christmas Eve?

It's Christmas Eve, 1938, when Madge Arwell comes to the aid of an injured Spaceman Angel as she cycles home. He promises to repay her kindness - all she has to do is make a wish.