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Born Jerome Wilson Rabinowitz, Jerome Robbins was a dancer and choreographer. Starting his career as a modern dancer, he began to appreciate the technique involved in ballet, the two which he merged in his choreography, especially in musical theater. In his choreography, he was renowned for injecting personality into each individual dancer's role and integrating dance not only into the storyline but into the everyday movement of the character. His primary interest was in telling American stories through dance. Robbins was conflicted about his homosexuality and he had relationships with both men and women. His first long-term gay relationship was with Montgomery Clift in the late 1940s when Clift was a young actor on Broadway which ended when Clift received a Hollywood contract.
Director
Writer
Status
Released
Original Language
EN

In a warehouse in the heart of Los Angeles, a dwindling handful of devoted craftspeople maintain more than 80,000 student musical instruments, the largest remaining workshop in America of its kind. Meet four unforgettable characters whose broken-and-repaired lives have been dedicated to bringing so much more than music to the schoolchildren of this city.

Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.