Jefferson Market (1970)

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

A husband is on trial for the attempted murder of his wife, in what is seemingly an open/shut case for the ambitious district attorney trying to put him away. However, there are surprises for both around every corner, and, as a suspenseful game of cat-and-mouse is played out, each must manipulate and outwit the other.

Judge Clarence Thomas' nomination to the United States' Supreme Court is called into question when former colleague, Anita Hill, testifies that he had sexually harassed her.

Follow the evolution of the 'Halloween' movies over the past twenty-five years. It examines why the films are so popular and revisits many of the original locations used in the films - seeing the effects on the local community. For the first time, cast, crew, critics and fans join together in the ultimate 'Halloween' retrospective.

A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.

Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.

An odyssey through time and memory, centered on a place in New Jersey where—from wilderness, and then, later, from a home—love, loss, struggle, hope and legacy play out between couples and families over generations.

An ex-special services veteran, down on his luck and desperate for work, takes a job as a security guard at a run-down mall in a rough area of town. On his first night on the job, he opens the door to a distraught and desperate young girl who has fled the hijacking of a Police motorcade that was transporting her to testify as a witness in a trial. Hot on her heels is the psychopathic hijacker and his team of henchmen, who will stop at nothing to extract and eliminate the witness.

20 men are chosen to participate in the roles of guards and prisoners in a psychological study that ultimately spirals out of control.

At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis Frampton