Jab We Met (2007)

A team of Indian scientists at ISRO (Indian Space Research Organisation) take on the extraordinary task of successfully sending a satellite into the orbit of planet Mars in a country's maiden attempt.

Lovable goon Munna falls for a morning radio host by the name of Jahnvi, who also runs an elders' home which an unscrupulous builder seeks to attain. In order to gain Jahnvi’s attention, he cheats his way to winning a Mahatma Gandhi radio quiz. When Jahnvi consequently expresses interest in Munna, he and his best friend Circuit attempt to keep up the facade.

A fictionalized account of the lives of 1980s Tamil Nadu political icons M. G. Ramachandran and M. Karunanidhi, continuing the tryst between Tamil cinema and Dravidian politics.

Inspired by the Indian national football team coach and manager Syed Abdul Rahim, who is regarded as the architect of Indian football, encapsulating the golden era from 1952 to 1962.

After accidentally killing his fiancee, Anand becomes insane and is admitted to a psychiatric hospital. Tanvi, his doctor, falls in love with him, but her father does not approve, given his past.

A playboy falls in love with a girl who rejects him because of his vices, but she gives him time to change. After changing his lifestyle, a little boy shows up claiming to be his son.

An ordinary bachelor pursues girls like a hunter, but not with the intention of settling down in life.

Rajiv Mathur decides to go conditionally steady with fellow collegian, Payal, so that be can be permitted to go on an outing. Payal accepts, and accompanies him. During the outing, he gets intoxicated, and attempts to molest her, and she decides to dump him. Thereafter, slighted but not beaten - Rajiv turns on his charms on another beauty - the gorgeous Alisha Sahay. But will she be as permissible as Payal?

The fifth film of Frank Capra's Why We Fight propaganda film series, revealing the nature and process of the fight between the Soviet Union and Germany in the Second World War.

Film critic and presenter Mark Kermode explores the fascination and praise audiences, fans and critics have behind the classic The Shawshank Redemption (1994) and how its importance grew higher over the years despite being an overlooked film when it was released and not getting any Oscars victories when it was nominated as one of the Best Pictures of the Year.