Život je krásný (1940)

As the young girls have discovered the truth about the cruel fate of a magical girl, one magical girl after another is destroyed. Throughout it all, there is one magical girl who continues to fight alone - Homura Akemi. Puella Magi Madoka Magica the Movie Part II: Eternal is a retelling of the second half of the TV anime series.

Five years after a zombie outbreak, the men and women of R-Division hunt down and destroy the undead. When they see signs of a second outbreak, they fear humanity may not survive.

A group of teens fights for their lives as they find themselves trapped in a fun-house, stalked by a killer clown who won't rest until every last one of them is dead.

Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.

The four old friends meet on the grave of the fifth of them, Perozzi, who died at the end of the first episode. Time has passed but they are still up for adventures and cruel jokes, and while they recall the one they created together with the late friend, new ones are on their way, starting right there at the cemetery.

“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.

Milo is aging, he is planning his daughter's 25th birthday, and his shipment of heroin turns out to be 10,000 pills of ecstasy. When Milo tries to sell the pills anyway, all Hell breaks loose and his only chance is to ask for help from his ex-henchman and old friend Radovan.

Superman and Supergirl take on the cybernetic being known as Brainiac, who boasts that he possesses "the knowledge and strength of 10,000 worlds."

Charley Thompson, a teenager living with his single father, gets a summer job working for horse trainer Del Montgomery. Bonding with an aging racehorse named Lean on Pete, Charley is horrified to learn he is bound for slaughter, and so he steals the horse, and the duo embark on an odyssey across the new American frontier.

While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry's treasures, which Kowalski revels in.