Iru Kodugal (1969)

Jamie Fitzpatrick and Nona Alberts are two women from opposites sides of the social and economic track, but they have one thing in common: a mission to fix their community's broken school and ensure a bright future for their children. The two women refuse to let any obstacles stand in their way as they battle a bureaucracy that's hopelessly mired in traditional thinking, and they seek to re-energize a faculty that has lost its passion for teaching.

A street smart runner develops an intense rivalry with an equally ambitious wealthy young athlete.

Twenty-two years after losing his home, Arulmozhi Varman returns to his native Thanjavur to attend his cousin's wedding. Amidst the celebrations, Arul is reintroduced to an upbeat man whom he cannot recall. With the help of the unknown man, Arul reconnects with his past.

94-year-old Eleanor Morgenstein tries to rebuild her life after the death of her best friend. As a result, she moves back to New York City after living in Florida for decades.

Andrew Crocker-Harris has been forced from his position as the classics master at an English public school due to poor health. As he winds up his final term, he discovers not only that his wife, Millie, has been unfaithful to him with one of his fellow schoolmasters, but that the school's students and faculty have long disdained him. However, an unexpected act of kindness causes Crocker-Harris to re-evaluate his life's work.

Pete Bell, a college basketball coach is under a lot of pressure. His team isn't winning and he cannot attract new players. The stars of the future are secretly being paid by boosters. This practice is forbidden in the college game, but Pete is desperate and has pressures from all around.

Ex-con turned private investigator Bradford Galt suspects someone is following him and maybe even trying to kill him. With the assistance of his spunky secretary, Kathleen Stewart, he dives deep into a mystery in search of answers.

An uninterrupted rehearsal of Chekhov's 'Uncle Vanya' plays out by a company of actors. The setting: their run-down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.

Love is a business at Family Romance, a company that rents human stand-ins for any occasion. Founder Yuichi Ishii helps make his clients’ dreams come true. But when the mother of 12-year-old Mahiro hires Ishii to impersonate her missing father, the line between acting and reality threatens to blur.

A pioneering ceramic artist Clarice Cliff rises to prominence in the 1920s while working in Britain’s Stoke-on-Trent pottery industry.