Interlude (1968)

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

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The documentary Merikotkan paluu (Return of the white-tailed eagle), tells the tale of the past and the present of the white-tailed eagle. The second protagonist of the film is the human - the animal that can be blamed for the eagles’ distress but also credited for its rescue.

Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.

8mm work directed by Norihiko Morinaga.

Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.

In this thrilling sequel to The Jurassic Games, 10 death row inmates enter a deadly VR show to battle dinosaurs for a second chance at life. But when the system malfunctions, the carnage turns real. With a new host and higher stakes, survival is no longer just a game.

Friends battle former U.S. presidents when they come back from the dead as zombies on the Fourth of July.

RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

Rex uses the age of dinosaurs as an example to give Forky an understanding of the concept of time.