Indestructible: Afterlife (2008)

The supermarket giant that rose high by taking prices low.

Seenu loves Sunaina but they're chased by a stalking cop, an infatuated beauty and her mafia don dad - can Seenu's heroics work?

Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.

This is a documentary linking ecological and political problems. The planet has come to be less important than the multinational earnings, and with it politicians earnings as well. With this project we bring foreward this problem, witch not only affects the third world, but is a worldwide situation witch needs to be adressed.

Investigating judge Iman grapples with paranoia amid political unrest in Tehran. When his gun vanishes, he suspects his wife and daughters, imposing draconian measures that strain family ties as societal rules crumble.

In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

Asdrúbal is the zoo sweeper, the handyman. One day, when he was feeding the turkeys, he noticed that one of them was talking.

Famed aesthetician Hope Goldman is about to take her career to the next level by launching her very own skin care line. However, she soon faces a new challenge when a rival opens a boutique directly across from her store. Suspecting that someone is trying to sabotage her, she embarks on a quest to unravel the mystery of who's trying to destroy her life.

In this French crime film, set during the time of the Gulf War, an elderly German tourist is murdered in Paris by junk dealer Joseph Katz (Pinkas Braun), a friend of Paris detective Sam Bellamy (singer Patrick Bruel). Romantically involved with the victim's daughter Emma Guter (Isabella Ferrari), Bellamy covers up the crime he witnessed. Joseph then mysteriously vanishes, and Bellamy heads for Berlin where the victim's possessions are auctioned. After Bellamy finds the source of the well-hidden traffic in art stolen by Nazis from French Jews, he discovers a Nazi war criminal is blackmailing past associates. Incorporating background from journalist Hector Feliciano's Lost Museum, the film is adapted from Guy Konopnicki's novel, Pas de Kaddish pour Sylberstein (No Kaddish for Sylberstein).

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