In Nahalal (1961)

A young elf mistakes a tiny alien for a Christmas gift, not knowing her new plaything has plans to destroy Earth's gravity — and steal all the presents.

Singapore Sling is chasing after Laura, a romantic memory from his past. One night he finds himself in a mysterious villa, watching two women bury a body. He falls into their trap and, in an atmosphere of isolation and decadence, the trio act out insane pleasure games and a ritual of blood and murder.

A gang of Nazi bikers prepares for a race as sexual, sadistic, and occult images are cut together.

Two Greek children embark on a journey to search for their father, who supposedly lives in Germany.

An unknown future. A boy confesses to the murder of another in an all-boy juvenile detention facility. More an exercise in style than storytelling, the story follows two detectives trying to uncover the case. Homosexual tension and explosive violence drives the story which delivers some weird and fascinating visuals.

The film tells different stories in a kind of parallel Germany about love, affection and hatred.

A young prostitute, who is trying to give her infant son a good start in life, must contend with a coercive pimp and the prejudices of others.

Follow-up to the TV trilogy “Heimat”, this time for cinemas, set again in the fictional village Schabbach in the Hunsrück region of Rhineland-Palatinate.

A dissatisfied dreamer awakes, goes out in the night seeking a 'light' and is drawn through the needle's eye. A dream of a dream, he returns to bed less empty than before.

Itinerant projection-equipment repairman Bruno Winter and depressed hitchhiker Robert Lander - a doctor who has just been through a break-up with his wife and a half-hearted suicide attempt - travel along the Western side of the East-German border in a repair truck, visiting worn-out movie theaters, learning to communicate across their differences.