

"In illo αTempore" is 19th part (R. 19 bis) of interdisciplinary cycle "REQUIEM." "I imagine that almost everyone who has come across this piece is familiar with the phrase 'in illo tempore'. In illo tempore—in that time. [...] Let’s pause for a moment on 'tempore'. Let’s consider, as laypeople might, what part of the original phrase this is. Of course, it is technically 'time.' [..] When an extra letter 'a' appeared in my mind—which has a tendency to complicate all sorts of concepts to the limit—it completely changed the perspective of everything. 'aTempore' was born. What did that mean to me? If 'tempore' is, theoretically, '(at) that time,' then 'aTempore' would mean 'non-time.' Now we have 'That Non-Time.' Does this mean we should think of time that has stopped? Or perhaps of different spaces, sensations? [...]" - as the introductionary note to the movie says.
Director
Writer
Status
Released
Original Language
EN

A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.

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In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?