Immadi Pulikeshi (1967)

Loyal gang member Iron Panther takes the heat for his boss after a dustup with their rivals, only to end up betrayed in this vintage kung fu yarn.

Prequel of the film Nobody, 浪浪山的小妖怪, introducing us to the pig as one of the main characters!

Two castaways sailing their way back home struggle to survive until they find a treasure that will test their friendship.

A wordless man stages an unexplained hunger strike and the people surrounding him exploit his silence to further their own cause...

Welcome to St. Sebastian's Quiet Academy for Disreputable Youth. Here you will learn about character...unless you're Isaac.

Cowboy Lin McLean's restlessness takes him to Denver, where he becomes enamored of a waitress named Katie. Intending to marry her, Lin accompanies Katie back to the ranch, but a traveling rainmaker arrives in the little town, and Katie departs with him after revealing that he is her husband. Visiting Denver for Christmas, Lin adopts Katie's abandoned son Billy, and soon afterwards, the cowboy meets and falls in love with the new station agent, Jessamine "Jessie" Buckner. Lin and Jessie marry, and the little family is happy until Katie, determined to be rid of her neglectful husband and marry Lin instead, appears and drives Jessie away. Realizing that Lin does not love her, Katie poisons herself, and Jessie returns to Lin and Billy.

Devoid of any human presence, Mine depicts a place exploited by man and then abandoned, serving as a testimony of complex historical and political situations.

Purged from its details, the image thus obtained offers a vision of this sculpture reduced to moving lights.

This is the story of a team of 40 agents facing 4,000 job seekers at a job centre in the Parisian suburbs. Samia, Corinne, Thierry, Zuleika must support and monitor, bring in the numbers, obey policy guidelines and communication injunctions, and find job offers while none is to be found. Will their strong sense of humor save them from the Kafkaian world they work in?

Some things can be seen more clearly at night.. . A film poem about a continent at night, a culture on which the sun’s going down, though it’s hyper alert at the same time, an “Abendland” that, often somewhat self-obsessively, sees itself as the crown of human civilization, while its service economy is undergoing rapid growth in a thoroughly pragmatic way. Nikolaus Geyrhalter takes a look at a paradise with a quite diverse understanding of protection. Night work juxtaposed with oblivious evening digression, birth and death, questions that await answers in the semi-darkness, a Babel of languages, the routine of the daily news, and political negotiation: All this has been captured in images with a wealth of details that make us look at things in a new way. The longer you consider a word, the more distant is its return gaze: ABENDLAND.