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Imagining October explores art and politics in the final years of the Cold War, drawing connections between pre-Perestroika Russia and Thatcherite Britain. The title refers to the 1917 Bolshevik revolution and Sergei Eisenstein’s propaganda film October: Ten Days That Shook the World 1928. The project began during a trip to the Soviet Union sponsored by the British Film Institute in October 1984. Jarman was invited to present The Tempest in Moscow and Baku with fellow filmmaker Sally Potter and film theorist Peter Wollen and asked in return to make a short film for the London Film Festival in November.
Director
Writer
Status
Released
Original Language
EN

Czechoslovakia, March 1939, on the eve of World War II. As the German invaders occupy Prague, inventor Axel Bomasch manages to flee and reach England; but those who need to put his knowledge at the service of the Nazi war machine, in order to carry out their evil plans of destruction, will stop at nothing to capture him.

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.